
Odds were that a title that could be identified as a proper epic would actually appear to salvage the word….however temporary. Here is a title that even identifies itself as an epic in it’s title, so go ahead and call it one
Shin Mazinger’s opener is an oddity because it’s not really an opener at all, but instead what appears to be a pastiche of the final events of the Mazin Saga woven together to set the stage for the epic to come. It’s a spoiler essentially, but in my opinion it works as an artistic choice. Why you might ask, well because in the history of the ancient epics and mythologies (which Mazinger is like a modernization of if the presence of Zeus doesn’t tip you off) the majority of the time the listener already knew what was going to happen.
Take the Ragnarök Saga for example. The final destiny of the gods. We already know what is foretold and how the heroes and villains of the story will act and how the gods will all be killed in a legendary battle with the Frost Giants that ends in the burning of the World Tree, the submerging of Midgard and the rebirth to follow as the waters subside and life begins anew. Not only do we know the fate of the gods, but the bards have regailed audiences with the epic tale so many times that all that is left to wonder at is the embellish of the particular performer as to the events of epic. And so it is the same with Shin Mazinger and it’s bard Yasuhiro Imagawa. Continue reading ‘Shin Mazinger Shōgeki! Z-Hen (You May Now Use The Word Epic)’
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